St. Louis Art

Forest Park in dawn’s early light

(Click on the photo to see a larger picture on a separate picture page.)

Forest Park in St. Louis remains the crown jewel of the greater St. Louis area. A visitor will find an incredible array of amenities that are not found in most U.S. cities, or even in great cities of the world.

The park features a world-class art museum, an excellent history museum run the Missouri Historical Society, a popular public golf course, miles of trails for bikes and pedestrians, the world-class St. Louis Zoo, nature areas, festivals, lagoons, and occasionally visiting wildlife. I saw a snowy egret on one of my morning runs last weekend.

A nonprofit organization called Forest Park Forever now provides strong organizational and fiscal support to steer the park’s development and strategic planning needs. Given the fiscal challenges facing St. Louis, this approach likely will pay strong dividends for the entire metro region, which collectively benefits from having a free and accessible public park of this stature.

As a former University City resident (raised there) and longtime visitor to the St. Louis area over the decades, I cannot separate my love of the park from my concern for the metro region. The park’s current success in fulfilling its mission remains at odds with the prolonged pain of the City of St. Louis’s decline and de-urbanization. One needs to keep in mind the larger challenges facing the city, and its many residents who are struggling and whom the park serves, if you come and enjoy it any day of the year.

I took all of these pictures on a three-mile stroll along Lindell Boulevard to the Missouri HistoryMuseum, to the St. Louis Art Museum, through the wildflower savannah off Skinker Boulevard, and back to my starting point. You cannot beat a St. Louis morning walk like this in Forest Park!

Advertisement

St. Louis statues: a great tradition of public art

(Click on each photo to see a larger picture on a separate picture page.)

St. Louis has many great works of public art on display, throughout Forest Park, Tower Grove Park, and other locations in the city. They put to shame the public art of many other cities that are now more prosperous and populated.

During my recent visit, I accidentally stumbled on the statues of great white men, as I call them, in Tower Grove Park in the south central area of the city. Businessman and philanthropist Henry Shaw of St. Louis believed that public art played an important role in the welfare of a city, and left a legacy, including the statues.

The statues I photographed depict William Shakespeare, Alexander von Humboldt, and Christopher Colombus—a man whose controversial legacy is questioned today. The statues, regardless of their merits, evoke a period of wealth and pride, when the city chose to promote art when it was at the apex of its economic and political power. Much of that art celebrates European civilization and few other traditions and races. St. Louis has always been a city that did not recognize the contributions of non-European groups until the late 19th century.

I also discovered a wonderful bronze sculpture in the Dutchtown neighborhood, in South St. Louis, just off Grand Boulevard. Atop a neighborhood gate entrance sat two jolly foxes, swigging from pints and likely smoking pipes. These are located next to the popular Ted Drewes frozen custard stand, where I gulped down a delicious dessert. Now this was a real discovery.

There are no jolly foxes where I live in Portland. I think we need some. We take ourselves far too preciously, and we forget other cities have understood the power of public art better than the new cool capitals of the United States.