(Click on each photograph to see a larger picture on a separate picture page.)
It has been years since I have been in a black and white darkroom, using chemistry to develop film and prints. I miss the intensity and joy of that process and the work that is needed to take lasting black and white photo portraits.
This week I was digging through my boxes of old prints and found a couple that I gave to a friend, who is featured in one of these two group shots. One is of his extended family who I have known for decades now. The second is of my friend in Vietnam, with his public health colleagues in Hanoi.
The warmth I find in a black and white group portrait, taken on film, can’t be replaced by digital. Digital may provide a level of sharpness and clarity, and simplicity. It still lacks the feeling I always experienced seeing my prints slowly emerge in the developer bath under the safe light of a darkroom, reeking of chemicals.. More than 15 years after I took these shots, I still feel that emotion.